Acoustic Guitars

 

 

Taylor 314 Grand Auditorium Acoustic Guitar Natural
Taylor 314 Grand Auditorium Acoustic Guitar Natural

Martin DC-Aura Cutaway Acoustic-Electric Guitar
Martin DC-Aura Cutaway Acoustic-Electric Guitar

The DC-Aura has a solid Sitka spruce top, solid Indian rosewood back and sides, mahogany neck with modified low oval shape, and special pearl hexagon outline inlays on the ebony fretboard and bridge. Other special Martin touches include a mother-of-pearl logo, ebony bridge and end pins with abalone dots, and gold tuners with ebony buttons.

Guild GAD-30 Auditorium Acoustic Guitar Amber Burst
Guild GAD-30 Auditorium Acoustic Guitar

The GAD-30 brings back the glory days of Guild, when a Guild acoustics were coveted. It is beautifully crafted solidwood guitar with high end appointments, and wonderful tone-for almost the same price a topline Guild fetched 50 years ago. A beautiful instrument and an incredibly good deal. Includes a Guild hardshell case.

Gitane DG-250 Django Style Acoustic Guitar
Gitane DG-250 Django Style Acoustic Guitar

Godin Multiac Nylon String Duet Electric Guitar Natural High Gloss
Godin Multiac Nylon String Duet Electric Guitar Natural High Gloss

The Godin Multiac uses the same design as the Godin SA, with a rosewood fingerboard and the L.R. Baggs I-Beam Duet system. When plugged in, the electric guitar produces the sort of fidelity that is associated with a high-end condenser mic on a full-body acoustic guitar. The I-Beam transducer and under-saddle pickup combine with the sophisticated preamp to deliver the sound that only a nylon-string guitar can produce. The output section on the Multiac guitar includes a regular 1/4" jack as well as a balanced XLR out with phantom power capability.

 

 

 

 

 

 

 

 

This beautiful classic Taylor guitar sings loud and proud but nestles easily on your knee. Solid Sitka spruce top for that famous Taylor wide-open tone slightly darkened by African mahogany back and sides. The 314 Grand Auditorium Acoustic Guitar has a gorgeous ebony bridge and fretboard, black wood binding, and satin finish with a gloss top that make it a striking presence onstage. .

Oval soundhole, solid peghead, and longer 26-5/8" scale, when combined with the voluminous body and solid spruce top, produce more volume and depth than any other Maccaferri-style design. Lush appointments include solid ebony binding with maple/walnut/maple purfling on the top and back, mahogany neck with dovetail joint, bone nut with zero fret, moustache bridge with compensated center, and ebony fretboard.

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