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Goin’ for the Gusto Studio Setup—3 |

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LGM Productions |
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Equalization is controlled by a single EQ section that is slaved to whatever channel is selected as is compression and gating. There are a total of 24 busses and 12 auxiliary sends. The 100 mm faders are motorized and touch sensitive and can be set up to work with just about any DAW software, including Pro-tools, Sonar, Cubase, etc. It also has 2 built in effects processors that can run the TC reverb programs and as in any digital mixer, any input can be routed to any channel and any channel can be routed to any output.
The
TASCAM X-48
The
TASCAM X-48
48 channels of 24 bit/96hz simultaneous recording 32-bit floating point audio file recording/playback with no loss of track count Advanced integrated synchronization and machine control including HDTV tri-level sync 1—Firewire connection for additional hard drives 4– USB connections D-sub VGA connection for display monitor RJ45 LAN connector for 10/100 Ethernet PS/2 Keyboard connector PS/2 Mouse connector 80GB hard drive Built in DVD+RW for backups 4 VST plug - ins per channel
The
TASCAM DM-4800 Digital Mixing Console
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I agonized on which direction to take with this segment of our no holds barred pro studio setup. The main issue was whether I should go the Pro-tools route, another software based solution or to use a completely hardware based system. Although I use Sonar in my own studio and I know that Pro-tools is the de-facto standard in most pro studios, I chose to go with an integrated system from Tascam. They’ve been in the recording biz for ever and their products are well respected.
The first link in the chain after preamps and signal processing is the mixer. I’ve chosen the
TASCAM DM-4800 Digital Mixing Console
Other connections include word clock in, out/through, midi in, out, through/MTC, USB, SMPTE in on RCA, footswitch in (for punching in) and cascade (you can hook two of these together) |